Press the Eject features a striking version of John Cale’s “Rosegarden Funeral Of Sores”,a particularly spooky run-through of “Hollow Hills” that out-creeps the studio version on Mask, and the punk rock fuzz-out of “Dark Entries”. Originally released in 1982, this is a live album, compiled from shows across the UK from 1981–82. When I Was A Young Girl (9:38)īerliner Jazztage, Berliner Philharmonie: Nov. House Announcer- Season of the Witch (Julie Driscoll) (9:12) 2.
The festival's artistic concept has been "to document, support, and validate trends in jazz, and to mirror the diversity of creative musical activity. Also appearing that year were Herbie Mann, Carla Thomas, Don Cherry with Pharoah Sanders, Don Ellis (who makes a guest appearance here), Gary Burton, Elvin Jones, Muddy Waters with Otis Spann and numerous other jazz luminaries. Whereas famous US jazz celebrities set the tone during the first decades, the Berlin Jazz Festival increasingly has presented artists from all around the globe, with an increasing emphasis on contemporary European jazz. Originally called the "Berliner Jazztage" (Berlin Jazz Days, until 1980 when the name was changed), it was founded in 1964 in West Berlin by the Berliner Festspiele. JazzFest Berlin (also known as the Berlin Jazz Festival) is a jazz festival based in Berlin, Germany. Swingin' in Seattle: Live at the Penthouse (1966-1967) Side D Hippodelphia (10:45) Outro of "Hippodelphia" (0:32) Set Closing Outro (1:07) Side C Intro to "74 Miles Away" (0:18) 74 Miles Away (10:36) Outro of "74 Miles Away" (0:30) Back Home Blues (6:55) Side B Intro to "The Sticks" (0:45) Sticks (4:40) Intro to "Morning of the Carnival" (0:12) Morning Of The Carinval (10:55) Intro to "Somewhere" (0:43)
Side A Jim Wilke Intro (0:19) Big P (9:22) Intro to "The Girl Next Door" (0:16) The Girl Next Door (11:12) Swingin' in Seattle, along with Etta Jones A Soulful Sunday: Live at the Left Bank, are the first two releases from the newly-formed Reel to Real Records launched by saxophonist Cory Weeds and producer Zev Feldman focused on important archival jazz releases.
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The extensive booklet includes rare and previously unissued photographs essay by music journalist Bill Kopp interviews with drummer Roy McCurdy and Cannonball's widow Olga Adderley Chandler plus Seattle saxophonist/writer Stephen Griggs interviewing original recording engineer/radio DJ Jim Wilke and much more! Mastered by the legendary Bernie Grundman at Bernie Grundman Mastering Studios in Hollywood, CA and pressed at Microforum Vinyl Record Pressing in Toronto, Ontario. This limited-edition deluxe 2LP set features Cannonball Adderley on alto saxophone, Nat Adderley on coronet, Joe Zawinul on piano and keyboards, Victor Gaskin on bass and Roy McCurdy on drums. Just one week later, Adderley would record his classic Mercy, Mercy, Mercy: Live at "The Club" album at the Capitol Records studio in Hollywood, CA. Swingin' in Seattle: Live at the Penthouse (1966-1967) is a collection of previously-unissued recordings by the Cannonball Adderley Sextet captured live at the height of his powers over 4 nights at the famous Penthouse jazz club in Seattle, WA between 19. The limited edition pressing comes on purple color vinyl.Ī1 Bottom of My Soul A2 Appreciation A3 Oo Wee Oo Gee A4 Giving Up A5 He Ain't No Angel A6 If She Wants Himī1 Boy From New York City B2 Kicked Around B3 Johnny My Boy B4 Ask Anybody B5 Nothings Worse Than Being Alone B6 I'm Just A Down Home Girl B7 The Slime The tracks were remastered for vinyl at Infrasonic Mastering. A collection of singles, b-sides, and unused studio cuts come together to show the 1960's soul singers in a whole new light. Presenting The Ad Libs is the group's debut album that never happened.
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The Ad Libs, a pheonominal-yet-underappreciated American vocal group hailing from Hudson County, NJ, had their first and only smash hit within their first year as a group, with 'The Boy From New York City.' Though several other singles from the doo-wop group landed on the Billboard R&B chart's, The Ad Libs never released a full album.